7.09.2011

"Free" style - State Property

"Every clip, filled to the tip
Quick to let the pits off the leash like Vick" - Beanie Mac

I know, I know this does not compare to the 97 Roc - a- fella free style but...damn.

Beanie is problem on the mic. Peedie and Freeway too. Hearing stuff like this makes me feel like this is the way hip-hop music is meant to be heard. Recorded, in-studio music is too limiting.

Hip-Hop lives.




Here is part one of the aforementioned Hot 97 sessions


7.08.2011

Vomitspit - Nas

"Madman my sanity is going like an hourglass
Gun inside my bad hand I sliced trying to bag grams"



RAE/NAS PART 2 from LRG on Vimeo.

"...to be honest....

...Hip-Hop ain't been the same since 2Pac moved to Cuba on us" - Eminem

Got it Twisted (Freestyle) - Eminem










This old "free"/freestyle from Em is dope, but sad. If you really listen he is clearly struggling for inspiration, interest and motivation in the genre. So much so he says he may star his own language. Years later, while he did not rap in a new language he did however rap in an accent of some sort on a few songs.

Judging from some of his latest releases Em is still looking for that inspiration. Hope he finds it because we certainly could benefit from his energy right about now....word.


Double Entendre - J. Cole

On the song Dollar and a Dream II from the Warm-Up Cole manged to put together a metaphor that it took me a bit to decipher. The first two verses are dope but they are straightforward in their point. It is the last verse where young Simba gets a little clever.





Not bad young, man not bad at all. However since he signed with a major label we can look forward to less of this and more of the B.S...nice job president Carter (smh). 

Anyway, as I sit and face impending calls from a person who played a similar role in my life I can certainly relate. 


Read and listen to the whole song but really LISTEN to the third verse. BTW, the ad libs are priceless!



Simile - Jean Grae



"I'm like Judy Blume with Uzi's..."

Vomitspit - Nas





"Lightning, hits the top of the church steeple when I'm writing
Semi-automatic no hyphen.....it's frighting...." - Thief's Theme

Nasir Jones on his prolific scripts.

7.02.2011

"try to write up in a house with no lights, you'll understand it" - Gibbs

"Bitch i'm ten toes in it
Not a fake a fascade or a cloned image
Got into rap the same way I jumped in the streets, with my own spinach
Tryna get straight up off this shit just so I can go on living
No songs spinning so I resort to the zone flipping
Something must be wrong with him he taking this shit for granted
Try to write up in a house with no lights, you'll understand it
I can't teach you how to dougie but I can teach ya bout this thuggin, keep thorough keep your mouth closed nigga, keep it 100."


When I decide to quit my 9 to 10 job and work towards tenure at an acclaimed university in the arts - in the syllabus in the area of the power of flow there will be time for students to listen to a few Freddie Gibbs songs.  Dude is somewhat infectious with his.

BTW, it is easy to dismiss dudes who "flow" as being not very lyrical, or all about "swagger" however think about the sheer volume of underground and or backpack who, despite raw as lyrics and content, suffer from a lack of flow.


Freddie Gibbs - The Coldest from LaundroMatinee on Vimeo.

Third Person - Madvillain



Most raps are written in first person. Many rappers are most comfortable with writing stories using the "I" point of view. However I wish that more would spit in third person. As a narrator/author it gives more freedom and flexibility to tell a story because you are not bound to using yourself as part of the action.

Additionally, I have always felt that first person raps force some rappers to pretend that their rhymes are actual true personal narratives. Giving some separation between the art, and the artist depersonalizes it and allows you to go in more directions.

Anyway read while listening. 




Villain'll hold the mic like he's mean and his tummy hurt
In a clean pair, ripped jeans and a bummy shirt
Wonderin would you clap your hands if he was friendly
Dapper Dan dipped in pretend to be Fendi
and gold sellin
No tellin
slap a fan hand down, tell 'em "no yellin"
DOOM- all capitals, no trick spellin
Got what it take to get it through your thick melon
(Woopwoosh!) Fresh witty city skits
When he get wreck, pretty emcees catch titty fits
Told them call the cops, just don't hold your breath for the ball to drop
Better yet, hold on to your halter top
Kept reppin, steppin in hotta
Ignoring pigs like Bigs Top Shotta
Surviver of a live crew, not out to jive you
It stings when he laugh when he at the bank drive-thru
Wylin', get me every red penny
Sold a lonely only child an imaginary enemy
When he sees the mask and the microphone gizmo
He's the broke host this is like his own quiz show
This go out to all my brothers doin long bids and sisters
Who got brothers bein fathers to the wrong kids
Stay strong and ride like the funky flute
Won't find the Villain in the street inside no monkey suit
Or either at the bar in no gorilly bra
Nor raceway park scoring on no silly car
Ask the stranger he knows who you really are
Behind the mask face stay dark, no boring willy star
Gleaming, dreaming, screaming- he'll be off the heezy soon
Cunning live rats drive at your steaming greasy spoon
In participating places tip your waitress'
A sure fire way to wire, trip the matrices
Skip ya laces, all black tennis miniature
Ball stack, gall tall pack, Guinness minister
Tussle the hustle, cut your dank with dirt
Won't be in the club in a muscle tank shirt
You could find 'em in the pub with the grub stain
Chuggin on a small tub of pain to his bugged brain
Sane, some say he plum crazy
Amazed at how he still get paid but dumb lazy
That's for him to know and for you to guess
Won't be caught in a suit vest at no computer desk
A suede front, maybe may stunt khaki dig
Not in no braids or no lace-front yaki wig